![The Last Door]({"jaw_blog-16_9":{"file":"https:\/\/tribecareview.es\/wp-content\/uploads\/2018\/10\/The-Last-Door-00b-475x267.jpg","width":475,"filesize":21781},"jaw_blog-16_9-small":{"file":"https:\/\/tribecareview.es\/wp-content\/uploads\/2018\/10\/The-Last-Door-00b-848x480.jpg","width":848,"filesize":49467},"jaw_blog-16_9-big":{"file":"https:\/\/tribecareview.es\/wp-content\/uploads\/2018\/10\/The-Last-Door-00b-878x494.jpg","width":878,"filesize":52267},"large":{"file":"https:\/\/tribecareview.es\/wp-content\/uploads\/2018\/10\/The-Last-Door-00b-1024x592.jpg","width":1024,"filesize":64703},"jaw_blog-16_9-middle":{"file":"https:\/\/tribecareview.es\/wp-content\/uploads\/2018\/10\/The-Last-Door-00b-1280x720.jpg","width":1280,"filesize":94480}})
Análisis de The Last Door, el terror lovecraftiano de The Game Kitchen
Una carta de un viejo amigo y la búsqueda de la verdad son el pistoletazo de salida para la aventura gráfica de suspense del estudio sevillano The Game Kitchen, «The Last Door» Puede que a muchos os suene The Game Kitchen por su exitosa campaña de kickstarter para dar luz a su nuevo proyecto «Blasphemus».